Watch:
SYTYCD S09E01 – Hampton Williams ‘Exorcist Style’ (Full Audition)
NL: “I think you just might be a genius.”
Each time I’ve watched this I’ve melted. LOVE IT
Tag Archive: Dance
Toni Pierce-Sands and Uri Sands – Tu Dance – left the Big Apple to start their own company in the Twin Cities, where an arts renaissance offered new chances to carve out their own niche.
Watch Dance Company Celebrates Diversity, Relevancy, Accessibility on PBS. See more from PBS NewsHour.
“Spirit: A Journey in Dance, Drums, & Song” is a music, dance and percussion spectacle combining contemporary music with the songs, chants and dances of the Native American culture. A fascinating show!
I’ve discovered 7 segments, This is the first dance in the show: “Urban Overture.”
“An Eagle Above” is the 4th dance in the show:
:: Maralan51
From the imagination of choreographer/director Benjamin Millepied, we enter a world where ballet meets street dancing. L’il Buck and the New Styles Krew interpret ballet with great finesse and elegance, while staying true to their roots. Composer Nicholas Britell re-composed Bach’s Double Harpsichord Concerto B.M.V. 1060 with woodwinds, drums, electric bass, looping, and glitch FX, while maintaining the “essence” of the Bach Movement throughout to match the feeling of the dance.
Kyryll Fedorenko, Artur Gaspar, Oleg Zhezhel and Francisco Borgato, the Cossack dudes of Ukrainian act Kazaky, are back with a viral video entitled “last night” directed by Yevgeniy Timokhin.
TOKYOtheCOMPANY performing at Tessandra Chavez’s choreography showcase “Traffic” 2010!!!
Their precision is fantastic. Can’t decide if the poor video adds or detracts from the overall effect.
Extravagant Russian FlashMob “Putting on the Ritz”:
Flash Mob in Russia – all for Putin, posted with vodpod
Le vent (ballet super slow motion), posted with vodpod
Marina Kanno and Giacomo Bevilaqua from Staatsballett Berlin perform several jumps captured in slow motion at 1000 frames per second.
Boundaries/ Art of spectra- Peter Svenzon trail…, posted with vodpod
Boundaries, dance performance, production by Art Of Spectra/ Peter Svenzon, co- production with Folkteatern in Gothenburg, Sweden.
Dancers Ulriqa Fernqvist, Sosso Harryson, Hannes Lundin, Morgan Karlsson& Raymond Roa. Light/ videodesign by Ludde Falk, Set/ production design by Robert Ljung, Music by Peter Svenzon and Kronosquartet.
In an atmosphere inspired by the worlds of David Lynch, choreographer Peter Svenzon examines general human issues in this physical, expressive and uploaded performance. Art of Spectra’s contemporary style is very physical and features movements influenced by the choreographer’s background in breakdancing.
:: h/t Methods of Dance | Art Of Spectra
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Nevada Ballet Theatre’s Gala Tickets on sale now!
Performance
SATURDAY, MAY 5, 2012
Reynolds Hall
7 o’clock
The Smith Center for the Performing Arts
Festive Formal
$125 | $95 | $65 | $40
$500 experience includes
Gala Reception with the Artists following the Performance
Click here to Buy Now.
Tickets (702) 982-7805 | Information (702) 243-2623
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I like the camera work alot in this piece.
Quick Crew – Rolling Stone by The Weeknd, posted with vodpod
Just ran across these amazing black & white photo portraits by Erwin Olaf of the Dutch National Ballet celebrating their 50th Anniversary.
:: Erwin Olaf :: Homotography
visual artist Reuben Margolin, explores the physical connection between bodies and kinetic design though the use of a large scale undulating sculpture that moves in sync with the dancers. Margolin’s sculpture measures 35′ x 10′ x 20′ and is made of paper, magnets, string, steel, wooden ring, 88 pulleys, and one motor.
Chunky Move’s “Connected”, posted with vodpod
She Got It! She amazing!!
Fringe Meanderings: Sublime love, posted with vodpod
I love it! 75:25 technique to costume ratio is my bet! Any takers?
I WANT MORE!
Rafael Bonachela’s 6 BREATHS (Music Ezio Bosso), posted with vodpod
:: Winner of Australian Dance Awards 2011 Outstanding Achievement in Choreography, Choreographer Rafael Bonachela collaborates with Music Composer Ezio Bosso; a symphony of dance, music and artistry performed by the Sydney Dance Company, with Video Art by Tim Richardson and Costume Design by Josh Goot – video by http://www.stellamotion.com.au
Young man entertains fans at Safeco field:
Kid dancing to Thriller at Safeco field, posted with vodpod
Hailed by The Australian as the countrys best modern dance company, choreographer Gideon Obarzaneks Chunky Move dazzles audiences with its use of site-specific installations and interactive sound and light technologies. Obarzanek’s avant-garde performances explore the tensions between the rational world we live in and richness of our imagination.
Gideon Obarzaneks Digital Moves, posted with vodpod
:: Poptech.org
Controlled Burn presents Compression! Art and Fire Festival as part of Artown on July 23, 2011 from 3-11 p.m. at City Plaza (corner of 1st and Virginia Streets) in downtown Reno.
Meet Robert Battle, Alvin Ailey American Dance Theater’s New Artistic Director designate – who will succeed Judith Jamison this July, he has announced today the creation of the New Directions Choreography Lab as a component to his vision and the Company’s 2011/12 Season.
want. here. now.
“I think that one of the things that choreographers suffer from is the lack of time and space. Certainly the access to bodies, to dancers,” says Mr. Battle. “I’m trying to find ways to identify choreographers who would benefit from having space and creative time to develop their work so that everything isn’t micro-waved. Things take time, and we should honor process.”
Mr. Battle’s interest in nurturing process has resulted in the New Directions Choreography Lab, which will offer assistance each year to four emerging or mid-level choreographers working in a variety of techniques.
New Directions will give choreographers access to versatile Ailey-trained dancers, rehearsal space and time, stipends, and the freedom to create without the pressures of a commission or final performance
“Often, we as choreographers have a deadline and we have to have a product at the end. I think that our culture is so product-driven that we often forget about the process,” says Mr. Battle. “And so the product tends to be stuck together with airplane glue just for a presentation, rather than having some sense that even if the ‘product’ isn’t a masterpiece, it’s a part of the journey.”
