#WeHearYou @Crisiscall #northernnevada
Don’t know much about her music, but she’s got everything else going!
🙂 :: More Rihanna Here by Mert & Marcus: Image Aplified
SYTYCD ~ Mini-Group 1: Top 14 Perform Travis Wall choreography to Beck’s “Wave.”
7 young men dancing in concert like liquid power.
May we all take time to honor this incredible poet, author, civil rights activist, and survivor who inspired so many through her eloquence, grace, and endurance.
March 1 – 14, 2014. Looks like a fantastic lineup!
Details @ website: TheMassiveSpectacular.com
Wonderful tribute to a great artist, Paco de Lucia who died of a sudden heart attack at age 66.
Art is the most direct and visceral way of speaking to people across boarders, and barriers. Art motivates, art empowers, art creates news ways of thinking.
As part of Eve Ensler’s – the Tony Award author of the Vagina Monologues [http://www.eveensler.org] – global campaign One Billion Rising to end the violence against women and girls, musicians, choregraphers, visual artists, poets, writers are rising up on February 14th, 2013.
“One in three women on the planet
will be raped or beaten in her lifetime.
One billion women violated is an atrocity.
One billion women dancing is a revolution.”
Sign up @ www.onebillionrising.org
Watch the Video: BREAK THE CHAIN
Music composed by Tena Clark, choreography by Debbie Allen
Then come learn the dance:
Evelyn Mount Northwest Community Center
1301 Valley Road
Reno, NV – 775-334-2262
Practice Dates and Times are from Noon – 2pm
Sunday, January 27th
Sunday, February 3rd
Sunday February 10th – Join us!
Or learn at home with: “How to: Break the Chain”
Hope to see you there!!
Published on Dec 31, 2012
A Spoken Word tribute, and a plea for India’s Daughters. Written, recorded and produced on one sleepless night, Dec 30, 2012.
Written, composed and arranged by Anuj Rastogi.
(c) Copyright Anuj Rastogi (Omnesia Records) 2012
Tonight, as I tuck her into her crib for the night
I stare down at her, under the waning moonlight
As on all other such evenings, I kiss her goodnight and wish away any fright
That she may feel while asleep, or awake
With all my might_ I wish I could make it all go away
Every crime, every curse,
Every danger, every hearse
That carries away the bodies of souls departed
Or in tonight’s case, the soul of a country that needs to be restarted
A country, raped by a mother’s own sons, brothers, and fathers
A country that has failed every one of its daughters
Tonight is the first night that I’ve wondered, maybe even wished,
What Mother India could’ve been had her sons instead been drowned in a dish
Had families cursed their misfortune for having a boy
And looked in envy at their neighbors unbridled joy
Celebrating their good fortune for having a daughter;
Perhaps our sons should’ve been lead away to slaughter,
One-by-one before they should plunder, or chance an act of such moral blunder
For centuries Mother India has been MOTHER INDIA,
And like Jocasta, violated by Oedipus every fort night,
Raping his own mother, cloaked in the illusion of non-existent virtue
Dear sons, why am I left feeling I must now curse you?
A land that venerates the Goddess, dresses her scantily and then
Insists she be modest
A land that elevates women to positions of political status
Lies naked and wounded, questioning her chastice
This land rides on her back to procreate and drive economic progress
And then questions her character should she dare to step out in a dress
This land so fertile for its women, lies morally barren of more than a few men who value what is within.
Rape is an act of imposed power
But it is not simply caused when a beast deflowers
It is one spoke, but one extension
Of a social ill that few dare to mention
In our dowries, in our words
We do nothing but seek to curb
The spirit of the truly free woman
WE ARE the problem
Men rape women.
Women rape women.
Mother’s In-Law rape women
Protectors of law rape women.
Politicians rape women.
Film makers rape women.
Ancient Traditions rape women.
Modern police stations rape women.
Silence rapes women.
Speaking out rapes women.
Apathy rapes women.
You and me rape women.
Every minute, of every day
Somewhere in this ancient country,
Be it physical or parliamentary
A woman is raped — her spiritual dignity, once draped
In self-respect has through decades of social neglect
Been left to wither and rot, in plain sight
This is NOT the country of my moral parents
This is not the planet I want for my children
This is NOT the world I want my daughter to grow up in.
And so here I sit, 3000 miles away
Proud to be brown, but ashamed to be a man.
I am a man. A father. A son.
How do I tomorrow face my little one.
And tell her the monsters of the dark were once little boys,
Whose mothers and fathers bred a society armed with penile toys.
And when one woman dared to speak, she was shut down, or drowned in the noise,
Of a society that values its life-giving daughters less than its public poise?
As I lie here, my little girl asleep in her crib.
I am in anguish, she sleeps still, I’m torn right next to her.
When she asks me about India, What will I tell her?
Will it still be my heart’s home, full of history and culture
Or will it be truly overrun by soul-less vultures?
Perhaps this fire that burns,
Sustained and relentless, is what Amanat’s sacrifice has earned
Perhaps tonight is like every other night before it;
And every woman in Delhi will walk in fear from her brothers, the police and the state.
Or perhaps tonight is the night that we turn the tables on fate.
And embrace our shared anger, and our common hate
For the ills of our world, and the suffering of our girls.
Perhaps, tonight is THE night that through Amanat’s plight, WE can awake.
🙂 :: Bangarra Dance Theatre: Bangarra’s new production Blak is on Australian national tour in 2013.
Choreographed by Artistic Director Stephen Page and emerging choreographer and company dancer Daniel Riley McKinley, Blak places culture at the heart of our existence. It reaffirms the powerful experiences of rites of passage for young Aboriginal people as they transition to adulthood. By embracing their responsiblities, these young people become a critical link in the songlines that connect our future with our ancient past.
Dancers from Wayne McGregor | Random Dance inhabited rAndom International’s acclaimed Rain Room installation in the Barbican’s Curve gallery, performing continuously evolving interventions in the Rain, with a score by contemporary composer Max Richter.
Toni Pierce-Sands and Uri Sands – Tu Dance – left the Big Apple to start their own company in the Twin Cities, where an arts renaissance offered new chances to carve out their own niche.
Watch Dance Company Celebrates Diversity, Relevancy, Accessibility on PBS. See more from PBS NewsHour.
Stay Tuned! We’ve registered to hold a “rising” here in Reno on this global day. Watch:
“Break the Chain” aims to raise awareness around the world about V-Day’s fastest escalating global campaign to date, ONE BILLION RISING. The ONE BILLION RISING campaign began as a call to action based on the staggering statistic that 1 in 3 women on the planet will be beaten or raped during her lifetime. With the world population at 7 billion, this adds up to more than ONE BILLION WOMEN AND GIRLS. On 14 February 2013, V-Day’s 15th anniversary, activists, writers, thinkers, celebrities and women and men across the world will come together to express their outrage, strike, dance, and RISE in defiance of the injustices women suffer, demanding an end at last to violence against women.
🙂 :: Find out more at www.onebillionrising.org Let’s Break the Chain!!
Produced by Eve Ensler and V-Day, directed by Tony Stroebel, written and produced by Tena Clark with music by Tena Clark and Tim Heintz, and featuring dancer and choreographer Debbie Allen.
Akram Khan has won a UK Theatre Award 2012 for Achievement in Dance for his 2011 production DESH .
DESH is a new full-length contemporary solo and the most personal work to date from celebrated choreographer and performer, Akram Khan. DESH meaning ‘homeland’ in Bengali, draws multiple tales of land, nation, resistance and convergence into the body and voice of one man trying to find his balance in an unstable world.
Moving between Britain and Bangladesh, Khan weaves threads of memory, experience and myth into a surreal world of surprising connection. At once intimate and epic, DESH explores fragility in the face of natural forces, and celebrates the resilience of the human spirit in the rhythms of labour, in dream and story, and in transformation and survival.
This is gorgeous fusion!
The Movement … have arrived!
The UK’s latest dance phenomenon has arrived. 16 remarkable dancers fusing dance disciplines from street to contemporary/ballet are taking the world of dance to an entirely new level – that has never been seen before. Under the direction of MM’s Creative Director, Christian Storm, a quintet of respected industry Choreographers – all highly acclaimed in their own genres – Aaron Sillis & Helen Dixon, Jono + Kirsty and John Graham have combined their astonishing skills and talent to bring about a ‘supergroup’ and create a remarkable and stunning new concept in dance.
The Tree of Life
🙂 :: Check out their site www.massmovement.uk.com
Sierra Cinemas, Nevada City, Sun Apr 22 – JOFFREY: MAVERICKS OF AMERICAN DANCE – 1 hr 28 min – Unrated. A look at the Joffrey Ballet, the groundbreaking cultural treasure known as the first truly American dance company. Narrated by Tony and Emmy Award winner Mandy Patinkin and directed by Bob Hercules (Bill T. Jones: A Good Man), the film documents how the Joffrey revolutionized American ballet by daringly combining modern dance with traditional ballet technique, combining art with social statement and setting ballets to pop and rock music scores. The film features rare excerpts from many seminal Joffrey works including Astarte, Trinity and Billboards. As a special treat, Nevada County natives Michael Levine and Maia Wilkins, alumni of the Joffrey Ballet, will be present to talk about their experiences and answer questions.
Co-founded in 1956 by visionary teacher Robert Joffrey and dancer Gerald Arpino, who would become their principal choreographer, The Joffrey Ballet began as a DIY dance company of six dancers touring the United States in a borrowed station wagon. What started as a childhood dream quickly grew into one of the world’s most exciting and prominent ballet companies. Together, Joffrey and Arpino transformed the face of dance with bold new perspectives for edgy ballets that challenged conventions. Aggressive touring took the Company from school auditoriums across America’s Heartland, to the White House at Jacqueline Kennedy’s invitation, and on to Russia for a month-long tour during the height of the Cold War, and beyond. They also garnered extensive media attention for their daring originality, which included appearances on The Ed Sullivan Show, the cover of Time magazine, and in major motion pictures such as Save the Last Dance and Robert Altman’s The Company (which is based on the Joffrey).
Joffrey: Mavericks of American Dance weaves a wealth of rare archival footage and photographs along with interviews featuring former and current Joffrey star dancers, showing the full history of the Company from its founding to the present. It describes how the Joffrey repeatedly resurrected itself after devastating financial and artistic setbacks and introduced cutting-edge choreographers such as Twyla Tharp, Laura Dean and Margo Sappington to larger audiences.
The film features rare excerpts from many seminal Joffrey works including Astarte, Trinity and Billboards, as well as breakthrough collaborations with choreographers Twyla Tharp (Deuce Coupe), Kurt Jooss (The Green Table) and Leonide Massine (Parade).
Nevada Ballet Theatre’s Gala Tickets on sale now!
SATURDAY, MAY 5, 2012
The Smith Center for the Performing Arts
$125 | $95 | $65 | $40
$500 experience includes
Gala Reception with the Artists following the Performance
Click here to Buy Now.
Tickets (702) 982-7805 | Information (702) 243-2623
Wow! A very dear friend and colleague has just written and published “Screaming Through the Silence: Memories, Truths and a Hope Towards Understanding.” Can’t tell you how proud I am that she had the courage, fortitude, and passion to find her voice so powerfully and eloquently. I had the extreme pleasure of finding an opportunity to read it while on an out-of-town excursion to attend advocacy training. I was nearly bursting with such pride when I finally put it down, and restrained myself until the following evening to call her and offer my deepest respect and admiration.
Kudos Mary Ann for your eloquence! Your voice is loud and strong. I am so proud of your insight, and your gentle graceful strength in articulating against the rape culture we currently inhabit. It is to work alongside you, and to bear witness to your spiritual growing and absoluteness. Life blessings to you and many thanks for allowing me to share this path with you!
About the Book:
“It happens quickly. I’m not in that house ten minutes before my world stops making sense.” From victim to survivor, Mary Ann Ricciardi pens from a most honest and heartfelt point of view, sharing what she knows to be true about the emotional ruin that trails behind the silence and myths surrounding intimate violence. In Screaming Through the Silence: Memories, Truths and a Hope Toward Understanding, Ricciardi writes with a purpose and desire to end the harmful silence of generations past and present. Presenting the issues simply and logically, Ricciardi’s “gentle rant” comes from years of social observations, her own personal struggle as victim turned survivor and her ongoing work with victims of intimate assault. Included are the voices of intimate assault and abuse survivors who so willingly share their truths in hopes of encouraging better understanding and awareness. “Society cannot understand because victims don’t tell; victims don’t tell because society does not understand.”
About the Author:
Mary Ann has been a Sexual Assault Support Services (SASS) Advocate at the Crisis Call Center since 2005, and has provided over 930 hours of face-to-face advocacy to child and adult victims of sexual assault, their friends and families in the year 2011 alone. She has been recognized by Senator Harry Reid, the Alliance for Victims’ Rights, and the Crisis Call Center as an exceptional advocate because of her tremendous dedication to and compassion for victims. Mary Ann continues to be an integral part of the SASS program not only as valuable member of the advocacy team, but also as a teacher, role model and mentor to advocate trainees.
Mary Ann is well known among her peers and colleagues as an outspoken, passionate activist whose writing and public speeches encourage societal dialogue and reflection on our views of rape. She reveals the long-term emotional and spiritual impacts of sexual assault and explains how our silence contributes to tacit acceptance and perpetuation of intimate violence.
*All proceeds from the sale of this book will be donated to various nonprofit shelters and crisis centers.
From the DCTV Blog:
Legendary ballet dancer, Mikhail Baryshnikov, has donated 35 boxes containing his personal archives — video recordings, photos, documents and letters — to the New York Public Library for the Performing Arts. The incredible archives include some rare gems, such as videos where Baryshnikov can be seen practicing in Riga, Latvia (where he was born) as a young boy of 11 or 12 , doing exercises at the Vaganova School and working with such greats as Balanchine, Cunningham, Robbins and Graham. There is so much material that cataloging and digitizing is estimated to take at least three years, at which point it should be searchable by year, performance, dancer or choreographer. Baryshnikov has said that this archive represents his whole life. Considering that the 63-year-old is still working as a dancer, actor and founder of the Baryshnikov Arts Center in Manhattan, we are certain there is much more to come in his life.
We have a beautiful 9″ beaded Jaguar head and I can attest to the gorgeous work, and their fragility – the artist use wax [in this case] as their medium which makes climate control necessary else the beads drop off. Tenuous beauty for sure.
🙂 :: via Laughing Squid