Spurred by this shriek, the 21 dancers of the Batsheva Dance Company spring into action. They arch their backs, splay their hands, shoot their legs towards the ceiling, and vault high into the air. Amidst layers of throbbing rhythms, punctuated by more guttural cries and sharp claps, the dancers organize and reorganize themselves into constantly changing groupings. The ebb and flow of one large group’s rocking steps provides a mesmerizing baseline for a smaller ensemble’s shape shifting, which in turn sets off one man’s virtuosic, almost mechanical movement.


It is choreographer Sharon Eyal who has cast this spell, which goes by the name of Bill and is the Batsheva Dance Company’s newest production. Like Batsheva’s artistic director, Ohad Naharin, Eyal is currently celebrating her twenty-year anniversary with the company. She joined the troupe as a teenager and quickly captivated crowds while performing many memorable parts. Now offstage in the role of Batsheva’s house choreographer, Eyal is keeping the audience’s attention with her unique creations.

🙂 :: Dance in Israel

« »